Brian
Allen, a Professional Industrial and Commercial Photographer - though
always an amateur at heart - was the first, in 1972, to offer photographic
courses in the UK that were entirely independent of any official
educational sources.
To
some extent, they were a natural development from workshops for
novices, sponsored by the Bristol Photographic Society and subsequently,
evening courses in photography run on behalf of the local authority
in Exmouth, Devon, which Brian ran with assistance from two keen
amateur photographer friends, Cyril and Ruth Morrey. In fact, without
the great help and support from Cyril and Ruth, whose house and
grounds were originally used for the first workshops, they may never
have evolved.
Brian
Allen's photographic business was based in Exmouth, known originally
as Bicton Studio and later as Bicton Studio & Gallery. The self-funded
gallery gave many unestablished artists, working in oils, water
colours, ceramics and photography their first opportunity to show
their work; many shows and the artists were featured on local television.
Workshops, for several years, were run under the name of the Bicton
Studio Photographic School and gained an enviable reputation.
Most
courses were held over weekends, using selected local (in Exmouth)
guest house accommodation. During Summer months, there were also
two week-long courses based in Exmouth, with two other week-long
courses, one in Spring and another in Autumn (the Fall) based on
a beautiful riverside caravan park in Snowdonia, North Wales, this
being a favourite location for Brian to find personal landscape
images in an area where he had, for many earlier years, enjoyed
mountaineering and rock climbing. All courses proved both popular
and successful.
Every
year, Brian and his son, Dave S Allen, together with Ken Nelson
(later to become the Society's first president) would have a week
away, based in a cottage or caravan in North Wales and photograph
independently in the area, all using 5"x4" equipment for
subsequent high quality fine-art monochrome prints. In due course,
exhibitions were created comprising an equal number of prints from
each and these proved very popular at various galleries in the UK.
All
three gained their Associateship of the Royal Photographic Society
in the same year, Dave being at that time the youngest to ever achieve
that honour. However, due differences in opinion, when the RPS permitted
trade produced prints they, alongside a great number of distinguished
members of long standing of that society, resigned but continued,
in various ways, to support the primary objectives of the RPS.
Workshops
included hands-on practical sessions on many varied photographic
topics, ranging from basic techniques for Novices to Advanced techniques
for Professionals and more experienced Amateurs. One unique course
majored on Brian's "Zone 8 Exposure System", which he had
evolved from the Zone System made famous by Ansel Adams, Fred Archer
and Minor White, amongst others. Brian's derivative system permits
all controls to be "in camera", coupled to standardised processing
of negatives. This proved especially popular with users of 35mm
and 120 rollfilm cameras for whom the need to change processing
to suit requirements was neither convenient nor practical. Such
was the success in quality terms that it became Brian's preferred
system for his own work using 5"x4" sheet film as it proved unnecessary
to adjust development, even though with sheet film that is a straightforward
process.
Interestingly,
the system has proved applicable to high quality digital imaging
too. Brian now uses it with his preferred digital SLR cameras, the
Sigma SD9 and more recently, the SD14, both with the unique Foveon
sensor. Such is the high quality from this combination that Brian
is perfectly happy to display prints, both monochrome and colour,
alongside those via his 5X4 conventional equipment.
Brian's
reputation as a fine teacher began to spread far and wide to countries
outside the UK but always the courses were restricted to around
four or five people as a maximum, which he felt was the limit if
virtually individual teaching was to be achieved; this was backed
by his being a qualified Training Instructor. His own fine monochrome
prints became a quality standard that others wanted to emulate.
Despite
being a busy professional photographer, Brian Allen's deep personal
knowledge of quality archival fine print monochrome techniques,
based on personal research over many years since early beginnings
at 12 years of age, meant an increasing demand for workshops. It
was through suggestions by some who had become regular visitors
that the society's origins formed in March 1977, with the introduction
of a duplicated Newsletter to keep the keenest in touch and provide
updates on Brian's latest researched techniques, on topics suggested
by the members.
With
Brian's links, from early mountaineering ventures, with Snowdonia
and his love for wild, mountainous landscapes he and his wife, Mave
(the Rave!) moved from Exmouth to a large mid-village house in Talysarn,
a small village in the Nantlle Valley in June 1987, where (after
a lot of refurbishment done on a DIY basis) they established the
Residential Photographic Training Centre, known as the "Snowdonia
Centre of Photography". The club became "SCOPCLUB", derived
from the Centre's initials. In due course, after many requests over
several years from long standing members, this formed the basis
of the "Zone 8 Photographic Society", the name evolving from the
unique "Zone 8 Exposure System" taught and refined over many
years of personal ongoing practical research and during workshops.
Brian
contributes regularly to Forums (especially the Sigma Forum) hosted
by the excellent dpreview.com online digital imaging facility, under
the pseudonym "ZONE8" and administers the ZPS Members
Forum.